The Met Gala is back, and 2026 did not come to play. This year’s theme, “Costume Art,” paired with the dress code “Fashion Is Art,” feels like an open invitation for celebrities to go fully unhinged—in the best way possible. And honestly? Some of these looks are serving.
But before we get too deep into 2026, I have to say it: nothing—and I mean nothing—has topped last year when André 3000 showed up carrying a literal piano on his back, designed by Pink Sparrow. It was camp, it was art, it was a whole moment honoring the impact of Black musicians on American music. That’s the kind of Met Gala chaos I live for.
Now, onto this year.
Bad Bunny showing up as an old man? Obsessed. It’s weird, it’s unexpected, it’s storytelling. Meanwhile, Sarah Paulson pulled up in what feels like a spiritual successor to Alexandria Ocasio-Cortez’s iconic “Tax the Rich” moment—but make it more subtle and arguably more haunting, with a mask crafted from a single dollar bill. Political fashion is alive and well.
Then there’s Doechii with the turban look—sexy, intentional, and impossible to ignore. SZA (as always) is doing what she does best: existing beautifully. She absolutely delivered in a custom-made yellow gown inspired by butterflies, which she co-created with designer Emily Adams Bode Aujla. The dress was crafted using vintage, reworked materials sourced from eBay. She topped it all off with a headpiece made of real shells and flowers—ethereal, intricate, and honestly one of the most thoughtfully constructed looks of the night.
Sabrina Carpenter? Her art deco gown by Jonathan Anderson for Dior being made from literal film—a reel from the classic Sabrina starring Audrey Hepburn—is the kind of fashion history crossover that makes my brain happy.
Emma Chamberlain in Mugler is just… gorgeous. The colors? Stunning. No notes. First time I’ve ever paid attention to Emma Chamberlain. And LISA with a Robert Wun creation featuring 3D arms holding the veil! The arms were molded from LISA’s own body and posed to form traditional Thai dance positions, per Vogue—are you kidding me? That’s art.
I also love seeing Law Roach step out as himself. No styling, just presence—and the outfit was flattering in a way that felt intentional and personal. Meanwhile, Charlotte Tilbury is giving full Moulin Rouge fantasy, and I’m not mad about it.
Alysa Liu looks like an upside-down bouquet and it’s honestly adorable. Then of course, Heidi Klum shows up as a literal statue—completely unhinged, completely on brand. Same goes for Janelle Monáe, who looks like a living tree or moss sculpture. Over-the-top is their baseline, and I am living for it.
Jordan Roth might be one of my favorites—mannequin, velvet, drama, all of it. It’s theatrical in a way the Met Gala should be. And its another Robert Wun Outfit. Safe to say they are my new favorite designer.
And no surprise here: I love Naomi Osaka in Robert Wun. She never misses. I love her tennis outfits so seeing her at the Met again since 2021 was heavenly.
All of this, by the way, is being consumed while I am at work, aggressively pretending to be productive while mentally cataloging every outfit. Multitasking, but make it fashion.
Final verdict? The theme is hitting, the looks are mostly delivering, and the chaos is exactly what I wanted. Fashion is art—and tonight, it’s also entertainment.
And yes, I will be thinking about these outfits for the next week.
